Showing posts with label Peter Jackson. Show all posts
Showing posts with label Peter Jackson. Show all posts

Tuesday, May 8, 2012

Fear the 48fps? Or Embrace It...?

I'm using it. What ya gonna do 'bout it? NUTHIN'!
When it was announced by Peter Jackson, that The Hobbit, Part I (HA! YOU HAVE TO BUY TWO TICKETS) is going to be shot in 48fps, film elitists went nuts. Normal people said, "Oh, cool, The Hobbit!" Still others said, "What?"

If you fall into the latter category, don't worry, the film jargon 48fps vs. 24fps vs. a ludicrous 60fps all means that one is the industry standard (24fps), one allows smoother movement (48fps), and the other features ridiculous fluidity (60fps). Well, just take a look at this visual comparison of the three. It should be noted that there is not 24fps and instead 30fps because once the film has been converted to video, it pretty much becomes 30fps (or rather... 29.97...). Just don't worry about it.

Their Rider? James Cameron. Obvi.
As Ben explained in his post about The Hobbit, Jackson's move to 48fps was a mixed bag, at best. Some saw it as the best thing since machines that sliced your bread for you, while others saw this as the 7th sign of the apocalypse (the other 6? ...all James Cameron).

Jolly, Giant Jackson's defense of the 48fps was that it gave a smoother look to the film, as 24fps can be less clear especially during fast camera motion. Now, a smoother, clearer, non-blurry motion picture seems awesome, right? So, why is everyone freaking out?

Sunday, May 6, 2012

The Hobbit in 48fps

Hello gorgeous.
There have been 27 posts since April 16, when YAMB was half-rebooted. Of those 27, 23 have been either superhero (mostly Avengers) or Hunger Games-related. Of the remaining 4, 2 were housekeeping, 1 was Oscar-related, and 1 was about Django Unchained. It's time for at least a little bit of a change.


Over the course of the past couple weeks, there's been some controversy regarding a private 10-minute screening of The Hobbit, part one of which is due out on December 14. Director Peter Jackson made a bold move in the filming process, deciding to shoot the film at 48fps (frames per second) as opposed to the standard 24fps. There have been strong reactions among those who were present at the screening in both directions - some think it's the best thing since sliced bread, and others think it's the worst innovation in cinematic history.