There are some stories which are told over and over again and never really get old. Of these, one of the most perennial in film is the underdog sports story, or, more specifically, the boxing drama. The Fighter, the latest entry in the genre, tells a tale which, although predictable and not particularly original, as a whole works quite nicely.
The story revolves around the boxer Mickey Ward during the years 1993-2000. Focusing on this time in Ward’s life was an interesting choice for director David Russell to make; in real life, Ward’s greatest and most famous fight took place as a three-part match up with Arturo Gatti some time after the events of The Fighter. Russell’s decision to cut this episode demonstrates his desire to make The Fighter more about the boxer than the boxing. It was a good decision, as Ward’s life outside the ring is far more interesting than his life in it.