Deadpool Might be in Dev Limbo

This is most likely the news that no Marvel fan wants to hear. Although 20th Century Fox has yet to release any type of statement about the upcoming Deadpool movie, the Merc with the Mouth film adaption may be in developmental limbo. Former VFX wiz and Deadpool director, Tim Miller has been tapped to helm Fox's Artemis. No this won't be an Artemis Fowl series adaption (thankfully... because that would mean the Deadpool film would probably be dead), but rather a sci-fi action thriller set in deep space (think Lockout). Again, no official statement has been released concerning Deadpool, but it looks like Artemis will be a project that Miller focuses on first.

Well, bummer. Since Fox chose Miller to direct the untitled Deadpool film, there has been virtually zero news about it. Ergo a delay in production is really no surprise. Nonetheless, this is a pretty big disappointment, especially because many were under the impression that all it needed was the green light from Fox. Miller was the studio's third choice as director, as Robert Rodriguez and Swedish commercial director Adam Berg turned down the director's chair. While it is a bit surprising that Fox decided to use Miller for a big named, big budgeted film, he could very well be the right man for the job. He has worked has on the visual effects for Planet of the Apes, X-Men, and X-Men 2, and Scott Pilgrim vs. the World. 

The movie already has Zombieland writers, Rhett Reese and Paul Wernick, on the project, and Ryan Reynolds eagerly awaiting to wield a whole assortment of weaponry. Sure the version of Reynolds' Deadpool in X-Men Origins: Wolverine was absolutely nothing like the Deadpool in the comic books, Reynolds was an awesome Wade Wilson. He brought the right amount of sass and attitude to the role in an otherwise dismal movie.

Vampire Diaries' Nina Dobrev as Lara Croft?

With the release of the newest Lara Croft video game, Tomb Raider, rumors of the possibility of a film adaption have swirled. While video game adaptions have been, too be blunt, awful, there seems to be a renewed interest in basing films on video games. Uncharted (to be directed by David O. Russell, which is kind o the best), Assassin's Creed, Splinter Cell, and even an Angry Birds movie are in the works, and now it looks like the Tomb Raider film franchise will be rebooted like its video game counterpart.

Producer, Graham King, the man that backed The Departed, Aviator, Hugo, The Town, and Rango has teamed up with Tom Headington and both have acquired the reboot rights from Tomb Raider franchise company, Square Enix. King has expressed interest in making it a true reboot of the film franchise, as he wants to focus on a younger Lara Croft. It should be noted that her origin story is also the basis of the newest video game.

While I remain skeptical of video game adaptions, King's magic touch could very well vault  successful VG-to-film adaptions to the forefront of Hollywood. We saw it done when Sam Raimi started the comic book craze with his version of Spider-Man, and we may see a video game film kick soon as well.

Even though Angelina Jolie played the Tomb Raider heroine of the 2001 and 2003 movies, it is doubtful she will be back on board. Seeing as how King wants a younger Croft, the possibility remains very minimal that Jolie would reprise her role; although, there could be two versions of Lara Croft (aka a younger version in flashbacks as an older version tells of her adventures).

The latest version of Lara and her voice actress, Camilla Luddington

In the recent Tomb Raider video game, Camilla Luddington voiced the role of Lara Croft, and she remains tied to the film adaption. It should be noted that Croft a British archaeologist, and Luddington is indeed British. Her voice work in the video game is exceptional, and she would be an excellent choice (and an obvious one at that) to play Croft. Even though she is 29, Luddington could easily pass as a younger version of Croft.

However, another young Hollywood actress has been knocking on the door to play the role.

85th Academy Award Winners

Well, the 2013 Oscars have come and gone. From Seth MacFarlane's moderately awkward attempt at hosting (seriously, Tina Fey and Amy Poehler, WE ARE BEGGING YOU!!!) to J-Law face-planting on the steps to Ben Affleck's Argo taking home the Best Picture prize, the Academy Awards offered few surprises, but plenty of fun for viewers. And plenty of fun for the many films, as there wasn't a clear dominating film this year.  

Life of Pi ended up taking home the most naked, gold men statuettes with 4, followed by Argo's 3. While Lincoln was an early award season favorite, Spielberg's epic finished with 2 awards. A bit disappointing for sure, but nonetheless, not surprising as Argo was sweeping up the award circuit in the past months. As it has been painstakingly noted to death, Argo is the only film since the 1989 film Driving Home Miss Daisy to win Best Picture without having a Best Director nomination. In the biggest surprise of the evening, a tie between Zero Dark Thirty and Skyfall for Best Sound Editing became only the sixth tie in Oscar history. The audience was so startled that equally stunned presenter Mark Walhberg said, "No BS, we have a tie." Ergo, nobody, I repeat NOBODY could have filled out a 100% correct Oscar ballot. So there.

One event that attracted attention was the post-Oscar protest of concerning Visual Effects. After being played off a bit early during the acceptance speech of Life of Pi Visual Effects winner, Ben Westenhofer, many people took to Twitter to point out the possible conspiracy. They claimed the Academy cut Westenhofer off early out of fear that he would mention the plight of VFX studios everywhere. It certainly is a problem, as Life of Pi (a film that based itself on visual effects) has been a big box office draw, yet the studio behind the visual effects, Rhymes & Hues had to file for Chapter 11 Bankruptcy. Westenhofer was able to get his message out, though, and in a statement he said:

"At a time when visual effects movies are dominating the box office, [the] visual effects companies are struggling. And I wanted to point out that we aren’t technicians. Visual effects is not just a commodity that’s being done by people pushing buttons. We’re artists, and if we don’t find a way to fix the business model, we start to loses the artistry. If anything, Life of Pi shows that we’re artists and not just technicians."

While the hubbub has been dying out, this might become a bigger problem in the future, especially due to the fact that, as Westenhofer pointed out, visual effects are becoming more and more necessary in big box office films.

Here are the winners of the 85th Academy Awards:

70th Annual Golden Globes and their Oscar Implications

Even though Ben Affleck's directing in Argo seemingly went unnoticed by the Academy, the Hollywood Foreign Press would not deny him at least some recognition. Affleck, while not nominated for Best Director in the upcoming Academy Awards, won the Critics' Choice Award and now the Golden Globe for the category that the Oscar voters snubbed him from. Argo also went on to win Best Picture for a Drama further muddying the waters for who will come out with the top prize at the Academy Awards.

The other big winner at the Golden Globes was Les Misérables. Tom Hooper's film took home Best Picture for a Comedy or Musical, along with actress Anne Hathaway winning Best Supporting Actress and Hugh Jackman winning Best Actor in a Comedy or Musical. While previously not projected to be a big player for Best Picture in the Academy Awards (musicals never do well, and the critics were mixed at best), Les Mis may be a force to be reckoned with.

The Golden Globes may not have the biggest impact on the Academy Awards, but it can give people a bit of a clearer indication on who will come out on top during the Oscars. However, this year added further complications with Argo and Les Mis winning big, along with other surprising, "un-Oscar-esque" picks.

The complete list of winners at the Golden Globes after their effect on the 85th Academy Awards:

Oscar Nominations for 2013

Earlier than I care for, the Oscar nominations were announced by Emma Stone and, to-be Oscar host, Seth McFarlane. There were certainly more than a few surprises (and huge snubs) for the 85th Academy Awards. Not surprisingly, Steven Spielberg's Oscar pandering sweeping epic, Lincoln, leads the way with 12 nominations. Ang Lee's self-righteous film snore visually stunning, Life of Pi, follows closely behind with 11.

Without any further ado, the official selection for the 85th Academy Awards!

EDIT: Just the Big 5 (more will come later)
Now that I'm out of class, here is the complete list.

12 Big Film News Stories of 2012

Looking back on 2012, records were shattered, hearts broken, dreams were made, and nightmares came to life. From the box-office glory of Joss Whedon's The Avengers to the grim death of Tony Scott, 2012 gave us plenty of highs and lows.

Let's take a look at 12 triumphs and tribulations in movie news from 2012.

12) DreamWorks Animation Leaves Paramount 

for 20th Century Fox 

While certainly not as big as another media acquisition (more on that later... Spoilers!), the end to the seven-year relationship between the animation studio and its distributor, Paramount, leaves the mountain's future looking a bit less solid. Fox, however, has very little risk in this partnership, and should reap some nice rewards with their new five-year pact. While they already own an animation studio, Blue Sky (makers of Rio and the Ice Age franchise), Fox did not shy away from acquiring another animation maker. Release date conflicts are really the only worrisome part to this partnership; however, since Fox will not have to shoulder any of the budget load from DreamWorks Animation films, 20th Century Fox's scheduling headaches should be easily cured with gobs of cash flowing their way.

11) Two Big Film Franchises Come to a Close

 

While Paramount is left looking to fill a hole in their animation branch, two studios will be looking to make up for losing two of the most lucrative film franchises in the last decade, Chris Nolan's Batman trilogy and the Twilight saga. Love it or hate it, Twilight was a major film franchise and a huge cash cow for Lions Gate Entertainment (distributed under Summit Entertainment). Making well over $3 billion worldwide, believe it or not, Twilight left a mark on cinematic history.
After the Harry Potter franchise ended last year and Nolan's final installment released this year, Warner Bros. Studios must be a bit apprehensive about their future. No longer will they have these two shoe-in cash creators; however, The Hobbit being made into three films should ease their worry. The studio also anxiously awaits Zack Snyder's Superman reboot, The Man of Steel, due out next year, as does every fanboy and fangirl, alongside the DC Entertainment branch. If successful, WB and DC could have a very lucrative film franchise that could open the doors to a long awaited Justice League movie/franchise. Fingers crossed!

10) Two Big Studios Dump Execs

Speaking of studios scrambling to fill giant holes, Disney and 20th Century Fox both showed their respective top dogs the door. After a slew of horrible film financial decisions, Rich Ross, the House of Mouse's Studio Chair, was finally given the boot after the bloated cesspool of awful that was John Carter. While Ross's intentions were good (fewer films with bigger budgets to streamline marketing for franchise merchandise/rides/toy lines), the results were lackluster at best. The now-former Disney exec landed on his feet, though, and is now CEO of Shine America, a production company under News Corp.
Another News Corp. unit, 20th Century Fox, had a serious power-shift as well. It canned its co-chair/CEO, Tom Rothman, after eighteen-years of eyebrow-raising decisions. Failing to secure Fox TV's star, Seth MacFarlane, and his new movie, Ted, and instead, opting for other R-rated comedies that utterly flopped (The Sitter, The Watch) and the absolute mess of a film Abraham Lincoln: Vampire Hunter, seemed to be the final nail in the coffin Rothman. Along with failed franchises such as The Fantastic Four and Daredevil, both of which were sold back to Marvel, Rothman's tenure at Fox was tumultuous, at best.

Zero Dark Thirty, Les Mis, and Django Unchained Poised for Strong Award Season Runs

While it's far from being a three horse race for Best Picture, the trifecta of films set to release in December are rapidly garnering copious amounts of Oscar buzz. The early favorites such as Argo, Lincoln, and The Master should certainly not be forgotten, but the December newcomers are quickly overshadowing their Oscar-hopeful counterparts. Headlining this group is Katheryn Bigalow's bin Laden manhunt film, Zero Dark Thirty. Not to be ignored is Tom Hooper's gorgeous adaption of the musical, Les Misérables, and rounding out the trio is Django Unchained, the latest brutally brilliant film by Quentin Tarantino.

Although this group may not seem to have much in common (seriously, who'da thought that a musical, a gritty war film, and a slavery romp with Tarantino would be mentioned together?), all three are poised to make strong award circuit runs.